Country land & water

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The Work of Making Art

I consider my cameras and scanner, my computer, and the programs I use all part of the “artist’s palette”. For me, photography has always been more than simply exposing a sensor or an emulsion to light then manipulating a process to produce an image that is a faithful representation of the scene that was being recorded. While I naturally strive to produce images that are a faithful representation, I consider the images I record as base or source photos that are for me a place to start. Most of these source photos are now shot in HDR with five to nine exposures for each image.

There is a common notion that the artist decides when a piece is finished. However, for me, it is the opposite, I believe every piece of art has a life force of its own and if the artist taps into this energy and understands it, the piece will suggest to the artist what it needs to be complete. I often create my (abstract & multiple image) art in short steps, adding a little bit at a time then waiting for the work to suggest what it needs next. Sometimes the work moves along quickly and other times it’s a slow process, it depends on how eager the piece is to be completed.

My art is usually a reaction to what I see, whether it is the location I’m in or the images I have recorded. I will often put myself in situations or seek out locations I think will inspire and suggest interesting images. At times, I react to my own photographs, using multiple images exclusively from my own source photos to create new images. The abstract montages I create each use images from a common location, while the surrealist images follow a theme.

On digital Photography and HDR Abstracts:

Just as the Kodak brownie camera was a quantum leap for advancing the technological process known as photography thus allowing everyone to indulge in a creative endeavor, the conversion to digital images allows everyone to become that much more involved in the process. I have always been fascinated by abstract art and images that are based on the real world but suggest more than “just what meets the eye”. Photography as a process and as a means of expression, fuels my fascination. It allows me an unlimited supply of real world images on which to base my abstract art. The base images I use in my abstract work are usually shot in HDR and are always my own images. The HDR abstracts are concept based, blending images through Photoshop and HDR programs.

Photography by Ken Moran

A Selected Portfolio of digital images

Country land & water

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